Latest posts by michael wilson (see all)
- JORDAN RIVER - February 5, 2019
- Inspired Art - August 2, 2018
- Waiting for Inspiration - July 31, 2018
- The Bridge between Painting and Photography - July 31, 2018
This is a brief article on the Joy of Painting. My younger brother is a classical pianist, but plays all kinds of music and has a vast repetoire. He has reminded me that a passage must often be played hundreds and thousands of times to ‘get it smooth’. I imagine what he means is that a piece will have many subtle variations of tonality, crescendos and transitions. These are written of course in the music but I expect that by playing one becomes gradually aware of the deeper inferences written in the bars.
In oil painting we have no scores, no bars to guide us. We do have however certain established relationships of tonality, of hue and of contrast to name a few. If you are a painter serious in becoming truly adept you will need to practice often to learn these rules and relationships. There is also the need to develop the required dexterity in using the brush. Much of my work is wet on wet – that is, I paint along side applied paint, cutting a line defining one to the other or, I choose to blend them. There are multiple ways to accomplish those tasks and those effects. The Joy of Painting resides in these practice sessions. The only way to get ‘good’ is to practice these effects.
If you are waiting for some grand theme, some great inspiration you will eventually find yourself bankrupt. Far better to experience the simple joy of painting by application. Place one hue on the canvas that pleases you and then another beside it and then mix another. Determine how much white to add. The shapes you choose are irrelevant…just become expert in your brushwork, and learn to paint wet on wet. If you want, paint on small canvases. The beauty of abstract art allows you all manner of freedom – learn to trust your intuition. Don’t rush and learn to develop a steady hand. Study each effort and pause before mixing subsequent hues. Work in small passages until they are visually effective. Ask yourself, ‘does this area, this passage resonate with me?’ Eventually you will learn how to integrate all of the passages into a whole painting, but that comes later. The thing to do is to practice painting…you must paint often.